The Great Wave off Kanagawa, woodcut by Katsushika Hokusai, ca. 1829–1833
White Dancer
White dancer, lone follow spot 
moves an empty stage 
her slender neck a filigree 
bowing to the boards, she is 
abandoned in bright lights 
a swan, yet does bequeath 
in her performance silken grace 
an artist with her body lithely 
sublimating tragedy 
in her gesture of a death scene 
one could not see by sorrow’s 
streaming veil a dancer’s closer grief. 
If ever she had dreamt of Coole 
old swan flying over turlachs 
she might have spied the leaden man 
who wandered in another’s dream 
of the one he could not have 
pleading with a remnant sky. 
Yeats’ swan of shallow lakes 
was leaving, fading, leaving 
just one question posed 
being one staccato burst 
should not the bird have flown 
seized Beauty’s love on wing? 
For the painter his tin bucket 
brushes with such primitives 
grinding powders dabbing colors 
stabbing with a junkie’s hand 
across a field of middling grays 
thick greens, the black for night 
and yellow blindness, at the heart 
it is his own dark moment, 
can he risk a pause to study 
afforded time enough to see 
what one shaky hand has wrought? 
Bluesman, Memphis-bound 
run from love or worse offense 
bending, turned and stretching thin                                              notes charged electric clean 
so any truthful player knows 
he runs the scales for substitute 
and grunts to ease his broken days. 
If he can sing, the lyrics sounding 
like a rasp across cold iron 
may admit to common 
crudities, betrayals 
sliding from commitments 
with a knowing charm 
and in a blinding pool 
an abject misery of light 
the pride he wears is hard worn.
If one thin student monk 
at Zen rakes stones, each pass 
its own universe each wave 
crest caught by sun, he may 
imagine piling oceans 
yet never reach a shore so far. 
Against his momentary brightness 
his star as to infinity, prosaic 
motions, winter motives 
lead me to my focus, will I 
seek this day’s enlightenment 
or spend my gift at screaming 
raking art from abstract space 
like air between the flakes 
a snow of white forgiveness 
cold as absence yet more 
is coming, smell the air 
intuitive as breathing, stirring 
wildness in response, this winter 
passing. Without white 
the ground and stones exposed 
so the student works his rake 
and kneels in desperate prayer 
where no one sees him. 
How does a white swan grieve 
without music and a stage 
an audience to mourn with her 
best purpose told in gesture 
her best intent is reenactment 
with libretto by another–where? 
Where in such a captured 
stage of boards and curtain calls 
might she find hers, she 
who’ll spend her life in practice 
slamming toes until they ulcer 
portraying graceful sadness? 
Did his bird of grace so stir 
the leaden poet bound there 
by a wave chopped shore 
did he ever mount the sky 
earthbound heart flying close                                                      beside her before winter? 
Troubling, these images 
pursuing dry abstractions 
when his life was oceans wild 
as wide as to the way across 
close sailing with the birds of grace 
above this middling water. 
Song leaves first, my heart cries 
dance is momentary, light 
is fleeing into yesterday. 
 
          
        
      